Polaroid Corporation pioneered and released instant photography products in 1948. Their film was initially made in house, but soon after many components was manufactured by Kodak. In 1969, Polaroid built their largest facility for manufacturing negative film in New Bedford, Massachusetts. Their Waltham based plant was also expanded. At the time, the newly built Norwood plant was for industrial and eyeglass polarizing material along with transparent instant films. By 1970 Polaroid started to manufacture a majority of their film products in house. Intergral film was manufactured in the Waltham (US) or in Enschede (Netherlands).Packfilm was manufactured in Waltham, Queretaro (Mexico), and Vale of Leven (Scotland).4x5 sheet film was manufactured in Waltham. In the early 1980's they worked with Fuji Photo to produce Type 100 and Type 550 (4x5) compatible instant packfilm intended primarily for the Japanese market. Film production stopped in 2008. Shortly after, a group known as Impossible is leasing the Enschede plant and manufacturing compatible intergral films.
- Instant: The Polaroid Maker 1 1 2 Gallon
- Polaroid Instant Camera
- Instant: The Polaroid Maker 1 1 2 Quart
- Amazon Polaroid Instant Camera
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Rollfilm
Type 20 seriesfor the Swinger and Swinger II
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
20 | 3000 | B&W | 1965-1970 | |
20c | 3000 | B&W | 1970 | coater-less |
Type 30 series (2½' × 3¼')for the Highlander 80 / 80A / 80B & Polaroid J33
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
31 | 100 | B&W | 1954-1958 | Coating |
32 | 200 | B&W | 1955-1959 | |
32 | 400 | B&W | 1959-1979 | |
37 | 3000 | B&W | 1959-1979 | |
38 | 75 | colour | 1963-1969 |
Type 47 rollfilm image by Orionid(Image rights) |
Type 40 series roll film (3¼' × 4¼') 8 exposures per roll
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
40 | 100 | Sepia | 1948-1950 | Coater-less |
41 | 100 | B&W | 1950-1959 | Coating |
42 | 200 | B&W | 1955-1992 | |
43 | 200 | B&W | 1955-1958 | Acetate based negative |
44 | 400 | B&W | 1956-1963 | |
46 | 800 | B&W | 1957-1964 | transparent film (2¼ × 2¼') |
46-L | 800 | B&W | 1957-198? | transparent film (3¼ × 4) |
47 | 3000 | B&W | 1959-1992 | |
48 | 75 | Colour | 1963-1976 | 6 prints per roll |
146-L | 125 | High Contrast B&W | 1961-198? | transparent film (3¼ × 4) increased in 1967 to 320 daylight / 125 tungsten |
410 | 10000 | B&W | 1961 | PolaScope film for oscillography |
413 | B&W | 1964-1969 | infrared film |
Packfilm
Type 100 series often called type 660, 10.8 × 8.3 cm; (4.25 × 3.25 inch)Film was initially in the 100 series, but in the late 1970's professional / industrial versions of similar films were released in the 600 numbering range. Later the consumer versions of the film became discontinued, but the 600 number films remained.
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Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
T64 | 64 | Colour | Tungsten balance | |
084 | 3000 | B&W | 1977-1998 | CRT (Pro 107), 15 sec dev, requires coater |
105 PN | Negative: 32 Print: 75 | B&W | 1974-1977 | B&W print with usable negative renamed as 665 in 1977 |
107 | 3000 | B&W | 1963 | requires coater |
107C | 3000 | B&W | 1978-1998 | Coater-less |
107-667 | 3000 | B&W | 1976-1977 | (Pro 107C) replaced by 667 |
108 | 75 | Colour | 1963-1976 | requires print mounts |
108 | 75 | Colour | 1975-1980s | Polacolor 2 w/o print mounts |
108 | 80 | Colour | 1980s-1990s | Polacolor ER, 8 exposures |
108 | 80 | Colour | 1990s-2001 | Polacolor ER, 10 exposures, replaced by 669 in 2001 |
125i | 125 | Colour | non-USA, Passport and document, 11 exposures | |
125i Silk | 125 | Colour | non-USA, Passport and document, matte finish | |
606 | 200 | B&W | Sepia | |
611 | 200 | B&W | 1979-2007 | low contrast for photographing video displays |
612 | 20000 | B&W | 1981-1997 | high-speed and high contrast for photographing oscilloscope traces |
661 | 80 | Colour | ER ID film replace by 671 | |
661W | 80 | Colour | ER ID driver license film | |
663 | 800 | B&W | sold in Japan | |
664 | 100 | B&W | 1989-2007 | Polapan Pro 100 |
665 | Negative: 32 Print: 80 | B&W | 1977 | PN film, has a reusable negative, 8 exposures |
665 | Negative: 32 Print: 80 | B&W | 2003-2006 | PN film, has a reusable negative, 10 exposures |
667 | 3000 | B&W | 1977-1990's | Coater-less (Pro 107C), 8 exposures |
667 | 3000 | B&W | 1990's-2008 | Coater-less (Pro 107C), 10 exposures |
668 | 75 | Colour | 1977 | Polacolor 2 (Pro 108) |
669 | 80 | Colour | 1980's-1990's | Polacolor ER (Pro 108), 8 exposures |
669 | 80 | Colour | 1990's-2008 | Polacolor ER (Pro 108), 10 exposures |
669 Silk | 80 | Colour | (669S) Matte finish | |
669HS | Colour | |||
671 | 100 | Colour | Special Events Film | |
672 | 400 | B&W | 1990's-2008 | Polapan Pro 400 |
679 | 100 | Colour | 1993 | Polacolor Pro 100, true to life colours. Replaced by 690 |
679 Silk | 100 | Colour | Matte finish | |
681 | 80 | Colour | PolaPress, plastic base print. | |
689 | 100 | Colour | ProVivid - saturated colours | |
690 | 125 | Colour | 2002-2004 | Replaced by newer 690 with ISO 100 |
690 | 100 | Colour | 2005-2008 | |
691 | 80 | Colour | 1985-1997 | Transparent film |
ID-UV 100 | 100 | Colour | non-USA, ultra violet security imprint (passport, documents) | |
ID-UV | 80 | Colour | Ultra violet security imprint (passport, documents) | |
Polacolor 100 Silk | 100 | Colour | ||
Polacolor ID | 80 | Colour | ||
Polacolor Pro 100 | 100 | Colour | sold in Europe | |
Polapan 3200 | 3000 | B&W | sold in Japan | |
Studio Polaroid | 125 | Colour | non-USA, passport and document, replaced by 125i | |
100 Chocolate | 80 | B&W | 2007 | Brownish tone film, sold by unsaleable |
100 Sepia | 1600 | B&W | 2007 | Sepia tone film, sold by unsaleable |
100 Blue Silk | 80 | B&W | 2007 | blue & white tone (matte finish), sold by unsaleable |
Type 80 series, 8.3 × 8.6 cm, (3¼ × 3⅜ inch) Introduced in 1971 (re-introduced in 2004[1]).
Instant: The Polaroid Maker 1 1 2 Gallon
Type 88 image by joanseda(Image rights) |
viva and chocolate Type 80 film image by Christopher Paquette(Image rights) |
Type | ISO | Colour or B&W | Year | Plant | Other Information |
---|---|---|---|---|---|
84 | 100 | B&W | 2004-2006[1] | ||
85 | Negative: 32 Print: 80 | B&W | 2004-2005[1] | B&W print with usable negative | |
87 | 3000 | B&W | 1971- | intro 1974 -USA | |
87 | 3000 | B&W | 2004-2006[1] | Scotland | |
88 | 75 | Colour | 1971-1976 | ||
88 | 75 | Colour | 1976-1981 | PolaColor 2 replaced by 88 ER | |
88 ER | 100 | Colour | 1981 | Polacolor ER | |
88 | 80 | Colour | 2004-2006[1] | 10 exposures | |
89 | 100 | Colour | 2004-2006[1] | ||
Viva | 80 | Colour | non-USA | ||
Viva Color | 125 | Colour | Scotland Mexico | non-USA | |
Viva Color | 125 | Colour | Scotland Mexico | non-USA matte finish | |
Viva 3000 | 3000 | B&W | Scotland Mexico | non-USA | |
Chocolate | 100 | B&W | Chocolate/brownish tone |
Type 550 series, 4 × 5 inch, for Polaroid 550 film backs. Introduced in 1981.4x5 pack film was manufactured in Waltham until 1999, but moved to Scotland afterwards.
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
552 | 400 | B&W | 1981 | |
553 | 800 | B&W | 1986 | Coaterless |
554 | 100 | B&W | Polapan Pro 100, Coaterless | |
558 | Colour | 1981 | ||
559 | 80 | Colour | 1981 | ER |
559 Silk | 80 | Colour | (559S) Matte finish | |
572 | 400 | B&W | Matte finish | |
579 | 100 | Colour |
Sheet film
Type 50 series sheetfilm for 4x5 inch cameras introduced in 1958.
Type 59 dated 1987 image by Geoff Harrisson(Image rights) |
Type | ISO | Colour or B&W | Year | Other Information |
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51 | Negative: 80 Print: 640 | B&W | 1967-2007 | High contrast B&W print with negative |
52 | 200 | B&W | 1958-1961 | paper negative |
52 | 400 | B&W | 1961-2007 | paper negative |
53 | 200 | B&W | 1958 | acetate negative |
53 | 800 | B&W | 1986-2007 | |
54 | 100 | B&W | ??-2007 | |
55 | Negative: 25 Print: 50 | B&W | 1961 | B&W print with negative |
56 | 200 | B&W | Sepia | |
56 | 400 | B&W | Sepia | |
57 | 3000 | B&W | 1961-2007 | |
58 | 75 | Color | 1963-1976 | |
58 | 75 | Color | 1976 | PolaColor 2 |
59 | 80 | Color | 1981-2007 | Polacolor ER |
64 | 64 | Color | Polacolor Pro Tungsten | |
72 | 400 | B&W | ??-2007 | Polapan 400 |
79 | 100 | Color | ??-2007 | PolaColor Pro |
510 | 10000 | B&W | 1965-1967 |
Type 800 seriessheetfilm for 8x10 inch cameras. 81-05 holder, and Processor 81-01 / 81-028x10 film was manufactured in the US Waltham plant.
8x10 processor and holders image by Peter Mattei(Image rights) |
Type | ISO | Colour or B&W | Year | Other Information |
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803 | 800 | B&W | 1987-2007 | |
804 | 100 | B&W | ??-2007 | Polapan Pro 100 |
808 | 75 | Colour | ||
808 | 80 | Colour | 1977 | Polacolor 2 |
809 | 80 | Colour | 1981-2007 | Polacolor ER |
811 | 200 | B&W | ||
879 | 100 | Colour | ||
891 | 80 | Colour | 1980 | transparent film |
TPX | N/R | B&W | translucent prints; for radiography |
20x24 for 20x24 camera introduced 1977.
Type | ISO | Colour or B&W |
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20x24 P3 PolaColor ER | 80 | colour |
20x24 P7 PolaColor | 100 | colour |
20x24 Polapan 400 | 400 | B&W |
Polavision
image by davidgsteadman(Image rights) |
Type | ISO | Colour or B&W |
---|---|---|
Polavision Phototape Type 608 | 40 | colour |
Polavision Phototape Type 617 | 125 | B&W |
Polavision Phototape Type 618 | 40 | colour |
PolaChrome
1983 info sheet image by Geoff Harrisson(Image rights) |
Polachrome CS image by Geoff Harrisson(Image rights) |
PolaGraph image by Leslie Lazenby(Image rights) |
35mm instant slide film, introduced in 1983.It was manufactured in the US Norwood plant.
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
PolaBlue CN | 8 | white-on-blue | 1987 | 12 exposures |
PolaChrome CS | 40 | colour | 1983 | 24 or 36 exp |
PolaChrome HCP | 40 | colour | 1986 | 12 exp |
PolaGraph | 400 | B&W | 12 exp | |
PolaGraph HC | 400 | B&W | 1983 | 24 or 36 exp |
Polapan CT | 125 | B&W | 1983 | 12 or 36 exp |
Integral film
SX-70 Film 1977 image by Geoff Harrisson(Image rights) |
SX-70 series 3 1/8' x 3 1/8' ISO 150 Colour
Type | Year | Other Information |
---|---|---|
SX-70 | 1972 1976 | processing temperature, glare reduction |
SX-70 Time-Zero | 1978 | reduced development time |
SX-70 Time-Zero High Definition | 1990's | |
Type 778 Time-Zero | 1978 | Pro version |
SX-70 Blend | 2006-2007 | A color film with a ND filter. |
Artistic TZ | 2007 | A color film made from expired Time-Zero chemicals. |
Type 708 Time-Zero | 1977 | no battery for Face Place booth |
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600 series 3 1/8' x 3 1/8' ISO 640 Colour
Type | Year | Other Information |
---|---|---|
Type 600 | 1981 | |
Type 600 Plus | 1988 | improvements from Image/Spectra |
Type 600 High Definition | 1993[2] | |
Type 600 Platinum | 1997-2008 | (Glossy), 600 Extreme |
Type 600 Extreme | 1997-2008 | (Glossy), 600 Platinum |
Type 600 AfterImage | 1998 | 600 Mat /t/e - Europe 600 Mat - Japan |
Type 600 Mat /t/e | 1997 | 600 AfterImage - US |
Type 600 Mat | 1997 | 600 AfterImage 600 Mat /t/e - Europe |
Type 600 Classic (B&W) | 1998 | 600 Extreme Mono -Europe 600 B&W - Japan |
Type 600 Black & White | 1997 | 600 Classic - US 600 Extreme Mono - Europe |
Type 600 Extreme Monochrome | 1997 | 600 Classic - US 600 B&W - Japan |
Type 600 Notepad | 1998 | 2 ruled lines on border |
Type 600 Copy & Fax | B&W | |
Type 600 Write-On | ??-2008 | 2 ruled border, write-on mask |
Type 600 Wild Sides | colourful borders, write-on mask | |
Type 600 Greeting Card | with cardboard holders | |
Type 600 Lego Land | 600 Platinum, Lego border | |
Type 600 6-shot | 6 exposures | |
Type 779 | 1989-2007 | Pro 600 Plus |
Type 780 Turbo | non-USA South Africa? | |
Type 600 Barbie | 1999- | pre-exposed character film |
Type 600 Loony Tunes | 1999- | pre-exposed character film |
Spectra/Image ISO 600 3 5/8' x 2 7/8' colour film.
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Type | Year | Other Information |
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Image | 1986 | Spectra |
Image Extreme | 1997-2008 | (glossy), Spectra Platinum |
Image Wild Sides | ||
Spectra | 1986 | Image |
Spectra High Definition | 1992 | |
Spectra Platinum | 1997-2008 | (glossy), Image Extreme |
Spectra 700 | ||
Spectra Grid film | 1988-2007 | pre-exposed grid lines |
Spectra Note Pad | two ruled lines on border | |
Type 1200 | 2000's | 12 exp |
Type 909 | 1986 | Pro Spectra/Image |
Type 990 | Pro Spectra/Image High Definition | |
Image Softtone | 2007 | made from expired chemicals |
ColorShot | 1998 | no battery ColorShot printer |
Captiva/Visionfor Captiva and Joycam
Type | ISO | Colour or B&W | Year |
---|---|---|---|
Captiva95 | 640 | colour | 1993-1998 |
Vision95 | 640 | colour | 1993-1998 |
Type 500 | 640 | colour | 1998-2007 |
i-Zone
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
i-Zone Pocket Film | 640 | colour | 1999 | |
i-Zone Sticker Film | 640 | colour | 1999 | adhesive back |
i-Zone Fortune Film | 640 | colour | 1999 | adhesive back |
i-Zone 200 | 640 | colour | 2003 | i-Zone200 adhesive back |
330 series Autofilm
3¼ × 4¼ inch (no battery) for CB33 backs.Autofilm was manufactured in the US Waltham plant.
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
Type 331 | 400 | B&W | 1984 | |
Type 337 | 3200 | B&W | high speed print film | |
Type 339 | 640 | colour | 1984 | |
Type 339 Plus | 640 | colour | has battery |
Fuel for powerpoint 1 0 2. mio / Polaroid 300
Manufactured by Fujifilm but branded as Polaroid. Identical to Instax mini film.
Type | ISO | Colour or B&W | Year | Other Information |
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mio | 800 | Colour | 2001-2002 | first run grey cartridge, later black |
Polaroid 300 | 800 | Colour | 2011 |
Misc film
Type | Year | Other Information |
---|---|---|
Type 1001 radiography film | 10 × 12 in, 10 sec development. | |
Type 3000X radiography film | 1961 | 10 × 12 in, 10 sec development. |
Notes
- ↑ 1.01.11.21.31.41.5Polaroid Announces Type 80 Series Medium Format Film - PMA 2004 press release via Photography blog
- ↑Popular Photography Magazine June 1993 page 55
Type | Year | Other Information |
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Type 600 | 1981 | |
Type 600 Plus | 1988 | improvements from Image/Spectra |
Type 600 High Definition | 1993[2] | |
Type 600 Platinum | 1997-2008 | (Glossy), 600 Extreme |
Type 600 Extreme | 1997-2008 | (Glossy), 600 Platinum |
Type 600 AfterImage | 1998 | 600 Mat /t/e - Europe 600 Mat - Japan |
Type 600 Mat /t/e | 1997 | 600 AfterImage - US |
Type 600 Mat | 1997 | 600 AfterImage 600 Mat /t/e - Europe |
Type 600 Classic (B&W) | 1998 | 600 Extreme Mono -Europe 600 B&W - Japan |
Type 600 Black & White | 1997 | 600 Classic - US 600 Extreme Mono - Europe |
Type 600 Extreme Monochrome | 1997 | 600 Classic - US 600 B&W - Japan |
Type 600 Notepad | 1998 | 2 ruled lines on border |
Type 600 Copy & Fax | B&W | |
Type 600 Write-On | ??-2008 | 2 ruled border, write-on mask |
Type 600 Wild Sides | colourful borders, write-on mask | |
Type 600 Greeting Card | with cardboard holders | |
Type 600 Lego Land | 600 Platinum, Lego border | |
Type 600 6-shot | 6 exposures | |
Type 779 | 1989-2007 | Pro 600 Plus |
Type 780 Turbo | non-USA South Africa? | |
Type 600 Barbie | 1999- | pre-exposed character film |
Type 600 Loony Tunes | 1999- | pre-exposed character film |
Spectra/Image ISO 600 3 5/8' x 2 7/8' colour film.
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Type | Year | Other Information |
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Image | 1986 | Spectra |
Image Extreme | 1997-2008 | (glossy), Spectra Platinum |
Image Wild Sides | ||
Spectra | 1986 | Image |
Spectra High Definition | 1992 | |
Spectra Platinum | 1997-2008 | (glossy), Image Extreme |
Spectra 700 | ||
Spectra Grid film | 1988-2007 | pre-exposed grid lines |
Spectra Note Pad | two ruled lines on border | |
Type 1200 | 2000's | 12 exp |
Type 909 | 1986 | Pro Spectra/Image |
Type 990 | Pro Spectra/Image High Definition | |
Image Softtone | 2007 | made from expired chemicals |
ColorShot | 1998 | no battery ColorShot printer |
Captiva/Visionfor Captiva and Joycam
Type | ISO | Colour or B&W | Year |
---|---|---|---|
Captiva95 | 640 | colour | 1993-1998 |
Vision95 | 640 | colour | 1993-1998 |
Type 500 | 640 | colour | 1998-2007 |
i-Zone
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
i-Zone Pocket Film | 640 | colour | 1999 | |
i-Zone Sticker Film | 640 | colour | 1999 | adhesive back |
i-Zone Fortune Film | 640 | colour | 1999 | adhesive back |
i-Zone 200 | 640 | colour | 2003 | i-Zone200 adhesive back |
330 series Autofilm
3¼ × 4¼ inch (no battery) for CB33 backs.Autofilm was manufactured in the US Waltham plant.
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
Type 331 | 400 | B&W | 1984 | |
Type 337 | 3200 | B&W | high speed print film | |
Type 339 | 640 | colour | 1984 | |
Type 339 Plus | 640 | colour | has battery |
Fuel for powerpoint 1 0 2. mio / Polaroid 300
Manufactured by Fujifilm but branded as Polaroid. Identical to Instax mini film.
Type | ISO | Colour or B&W | Year | Other Information |
---|---|---|---|---|
mio | 800 | Colour | 2001-2002 | first run grey cartridge, later black |
Polaroid 300 | 800 | Colour | 2011 |
Misc film
Type | Year | Other Information |
---|---|---|
Type 1001 radiography film | 10 × 12 in, 10 sec development. | |
Type 3000X radiography film | 1961 | 10 × 12 in, 10 sec development. |
Notes
- ↑ 1.01.11.21.31.41.5Polaroid Announces Type 80 Series Medium Format Film - PMA 2004 press release via Photography blog
- ↑Popular Photography Magazine June 1993 page 55
Literature
- The First 30 Years 1948 - 1978 A Chronology of Polaroid Photographic Products, Polaroid Corporation, 1979-12
- Polaroid Access 50 Years, Access Press Ltd. Richard Saul Wurman, 1989
- Polaroid Film Guide, Polaroid Corporation, 1999-08-16
- Polaroid Film Identification and Manufacturing Information, Polaroid Corporation
- Polaroid Film Codes, Polaroid Corporation, 1998-08.
- Pocket Guide to Polaroid Professional Film, Polaroid Corporation, 1999-06
Polaroid Instant Camera
Self portrait of Elsa Dorfman with her Polaroid 20x24, taken with another 20x24 | |
Overview | |
---|---|
Maker | Polaroid |
Type | |
Production | 1976–78 |
Sensor/medium | |
Sensor type | Film |
Sensor size | nominally 20 in × 24 in (51 cm × 61 cm) |
Film format | Instant (peel-apart roll) |
Focusing | |
Focus | Manual, via bellows extension |
Exposure/metering | |
Exposure | Manual |
External meter required | |
Flash | |
Flash | External |
Shutter | |
Shutter | Between-lens |
Viewfinder | |
Viewfinder | Ground glass/hood |
Frame coverage | 100% |
General | |
Dimensions | 25.2 in × 40.9 in × 59.1 in (64.0 cm × 103.9 cm × 150.1 cm) (W×L×H) |
Weight | 240 lb (109 kg) |
References | |
[1][2] |
The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal 20 by 24 inches (51 cm × 61 cm), giving the camera its name, although at least one camera takes pictures that are 23 by 36 inches (58 cm × 91 cm).[3]
Design[edit]
The Polaroid 20×24 is one of the largest format cameras currently in common use, and could be hired from Polaroid agents in various countries.
A plexiglass sheet is taped to the front of the lens, and the subject uses their reflection to help determine where they are in the frame. Because of the size of the image, acquiring an image with sufficient depth of field can be a challenge, and the lens (the camera at 20×24 Studio in New York City was fitted with a Fujinon-A 600mm f/11 lens) is often stopped down to f/90.[4] Lenses were available in a variety of focal lengths ranging from 135mm to 1200mm, but only the 600mm, 800mm, and 1200mm lenses were designed for the 20×24 format.[5]
The 20×24 is collapsible for storage and transport like a field camera: the bellows are compressed into the body, and the body lowers into its base.[6] In use, the bellows can be extended from 17 to 60 in (43 to 152 cm); the front standard has a movement range of 24 in (61 cm) (rise and fall), 6 in (15 cm) (side-to-side shift), and 4 in (10 cm) (swing) while the rear standard is fixed and has no movements. The body of the camera may be moved from 24 to 72 in (61 to 183 cm) above ground level.[5]
— Elsa Dorfman, from photographer's website[2]
Developing chemicals are stored in foil pods housed in the processing unit at the rear of the camera, and are applied to the exposed film via 22-inch-wide (56 cm) titanium rollers.[1][5] The film comes on two rolls: a 150-foot-long (46 m) negative roll and a 50-foot-long (15 m) positive roll. After the negative is exposed, one foil pod is ruptured by the rollers and the developing chemicals are spread between the negative and positive rolls as the film exits the bottom of the camera's rear processor;[5] 11⁄2 minutes after exposure, the negative and positive are peeled apart, producing the finished photograph.[7]
History[edit]
According to John Reuter, a former Polaroid employee, only six cameras were built between 1976–78; five remain in use.[4] Tracy Storer clarified that two prototypes were built first, then using the lessons learned, five finished cameras were completed; famous artists and photographers were invited to use the cameras at the Polaroid studios on the condition that Polaroid was allowed to keep some of the resulting images.[8] The camera was built by the company's wood and metalworking studios under the supervision of John McCann, at the request of Dr. Edwin Land, who wanted to demonstrate the quality of Polacolor II film, which the company was about to launch in 8×10 format. The first portraits were taken at the 1976 Polaroid shareholder's meeting.[5]
The 20×24 Studio was spun off from Polaroid in 1980, with Reuter assuming technical and artistic lead duties, and the Studio's camera moved to the Museum of Fine Arts, Boston in 1982. That year, camera time was made available to students. 20×24 Studio moved to New York in 1986 to service the demand for commercial photography there, and the original space became known as 20×24 Studio Boston.[8]
In 1997, Tracy Storer assembled the first new production 20×24 in twenty years using spare parts and a 20×24 field camera front built by Wisner Classic Manufacturing Company; Storer had been hired by Calumet Photographic to build the camera for a new large format studio in San Francisco, which was renamed The Polaroid 20×24 Studio West in 2001, and later Mammoth Camera. Storer has since built additional 20×24s on private commission and for 20×24 Holdings, one of which was shipped to Germany.[8] Wisner also offered a processor for Polaroid film (essentially the rear section of a 20×24), allowing the use of Polaroid 20×24 film with the large Wisner field camera;[9] at least one Wisner processor is owned by 20×24 Holdings to test film.[8]
No. | Owner | Location | Notes |
---|---|---|---|
1 | MIT | Cambridge MA | Original prototype which is now an empty shell; rollers and motor were removed.[11] |
2 | 20×24 Holdings | New York City | Two cameras: one is studio-based (at the Film Society of Lincoln Center), and the other is the 'travel' camera |
3 | The Impossible Project | The Netherlands | Inactive. |
4 | Elsa Dorfman | Cambridge MA | Dorfman used the camera from approximately 1980 until her retirement in 2015.[1][12] |
5 | 20×24 Studio Berlin | Berlin | Originally acquired by Jan Hnizdo and moved to Prague; later purchased by Markus Mahla in 2018 for 20×24 Studio Berlin. This is the only operating 20×24 outside the United States. |
6 | Estate of Edwin Land | Cambridge MA | Bequeathed to the Harvard Collection of Historical Scientific Instruments in 2004; it was a retirement present for Land in 1982.[13] |
– | 20×24 Studio West | San Francisco | 'Hybrid' camera assembled by Tracy Storer using parts from one prototype and a Wisner front.[8] |
Production of the film for the 20×24 was discontinued in 2008, with approximately 550 boxes in stock at the time.[1] Each case of film contained one negative roll, three positive rolls, and 39 pods, able to make up to 45 exposures with sparing use.[2] When the photographer Elsa Dorfman retired in 2015, only half the remaining stock was left,[1] although The Impossible Project stated they were exploring how to restart film production.[6] 20×24 Studio, which was founded by Reuter to lease the cameras and sell the required supplies, announced they had restarted production of the chemicals in 2010.[14] However, 20×24 Studio later announced in 2016 that support would be discontinued at the end of 2017; at the time, it cost US$1,750 (equivalent to $1,860 in 2019) per day to rent a camera and each exposure was an additional US$125 (equivalent to $133 in 2019).[15][16] Improvements to the chemistry made using the old, stored film more viable, and 20×24 Studio later announced they would be able to continue operations through 2019.[17]
Users and portrait subjects[edit]
Photographers such as Dawoud Bey, Ellen Carey, Chuck Close, Elsa Dorfman, Timothy Greenfield-Sanders, David Levinthal, Mary Ellen Mark, Robert Rauschenberg, Joyce Tenneson, Jennifer Trausch, Andy Warhol, TJ Norris, and William Wegman have used this heavy (235 lb or 107 kg), wheeled-chassis camera. Ansel Adams used the camera, notably to make the first official photographic Presidential portrait, of President Jimmy Carter in 1979. .[6][16][18][19]
Instant: The Polaroid Maker 1 1 2 Quart
To celebrate Lady Gaga's new role as Creative Director of Polaroid, a portrait of her was shot with the 20×24 camera on June 30, 2010 at the Massachusetts Institute of Technology.[20][21][22]
References[edit]
- ^ abcdeBecker, Deborah (December 22, 2015). 'Portrait Photographer Elsa Dorfman, Known For Her Giant Polaroid Camera, Is Retiring'. WBUR. Retrieved 1 June 2020.
- ^ abcDorfman, Elsa. 'About Elsa's Studio and the Polaroid 20×24'. Elsa Dorfman: Still Clickin' in 20 × 24. Retrieved 1 June 2020.
- ^Hoffman, Katherine (Autumn 1999 – Winter 2000). 'Elsa Dorfman: Portraits of Our Time'. Woman's Art Journal. 20 (2): 24–28. doi:10.2307/1358981. JSTOR1358981.
- ^ abGampat, Chris. 'A Tour of the Polaroid 20x24 Camera'. The Phoblographer [blog]. Retrieved 1 June 2020.
- ^ abcdef'20×24 Studio FAQs'. 20×24 Studio. Retrieved 1 June 2020.
- ^ abcGampat, Chris. 'Instant Gratification on a Grand Scale: Polaroid's 20x24 Camera'. Explora [blog]. B&H Photo-Video. Retrieved 1 June 2020.
- ^Becker, Deborah (May 31, 2020). 'Cambridge PHotographer Elsa Dorfman, Famous For Her Giant Polaroids, Dies At 83'. WBUR. Retrieved 1 June 2020.
- ^ abcdeStorer, Tracy (August 2018). 'History'. Polaroid 20x24 Studio West. Mammoth Camera. Retrieved 1 June 2020.
- ^'Page 13'. Wisner Classic Manufacturing Company. Archived from the original on April 16, 2003.
- ^'About Us: The History'. 20×24 Studio Berlin. Retrieved 1 June 2020.
- ^'MIT Museum Receives 70 Years of Polaroid History in Donation from PLR IP Holdings' (Press release). MIT Museum. April 12, 2010. Retrieved 1 June 2020.
The archive of Polaroid history and artifacts contains some of the most fascinating inventions and innovations from the 20th century. Rare Polarized glasses dating from the 1939 World's Fair, original newsprint sketches by Polaroid founder Edwin H. Land, a historic bellows camera the size of a filing cabinet, as well as examples of Land-designed camera prototypes, and SX-70 cameras that defined the instant photography era, are just some of the original items that the MIT Museum acquired.
- ^Greenspun, Philip (August 2018). 'History of Photography Timeline'. Philip Greenspun. Retrieved 1 June 2020.
- ^'Polaroid instant camera, large-format 20 x 24'. Harvard Collection of Historical Scientific Instruments. Retrieved 1 June 2020.
- ^'The Impossible Project and 20×24 Studio' (Press release). 20×24 Studio. March 29, 2010. Retrieved 1 June 2020.
- ^Kennedy, Randy (June 20, 2016). 'Champions of a Monster Polaroid Yield to the Digital World'. The New York Times. Retrieved 1 June 2020.
- ^ abLeuchter, Miriam (June 21, 2016). 'The End of Polaroid 20x24 Large-Format Instant Photography?'. Popular Photography. Retrieved 1 June 2020.
- ^'20×24 Studio to Continue Operations in 2019' (Press release). 20×24 Studio. February 23, 2019. Retrieved 1 June 2020.
- ^Mark Feeney (March 16, 2008). 'Instant karma'. The Boston Globe. Retrieved 2014-03-15.
- ^'Live Portrait Sessions with the 20x24 Polaroid Camera' (Press release). Hathaway Gallery. October 2016. Retrieved 1 June 2020.
- ^'Polaroid NEW0076'. Polaroid. 30 June 2010. Archived from the original on 7 August 2011. Retrieved 2011-01-02.
- ^'Lady Gaga and the 20×24 Camera at MIT Museum'. 20×24 Studio. 30 June 2010. Retrieved 8 April 2015.
- ^Lyons, Ana (July 7, 2010). 'Lady Gaga pops by MIT'. The Tech. Retrieved 1 June 2020.
External links[edit]
- 20×24 Studio - 20×24 Holdings LLC, managed by John Reuter.
- Mammoth Camera, aka 20×24 Studio West
- 'Camera Ready: The Polaroid 20×24 Project'. John Reuter Productions.
- 'The Wisner Company Photographic Devices [catalog]'(PDF). Wisner Classic Manufacturing Company. 1997. Wisner made a comparable 20×24 field camera using regular (non-instant) sheet film.
- A Tour of the 20x24 Polaroid Camera on YouTube
- 20×24 Polaroid camera on YouTube (part 1 | part 2)